They too flirt with limits, my limits; those of the gesture, of the body, of the control of the elements put into play in the face of the primary intention. They are intimately linked to the creative process. The transition to the image allows me to change the system of referents in order to hang on to the world and to a real potential Visions footprints-territories borrowed, cartography and projections. This long journey through an echoing process gradually takes place with the recurring question: "When will this forward drive stop?" As if exhaustion were the culmination. The idea of ​​a drawer work has always intrigued me both in the mental process and in the realization.